Tag Archive | "Loras Players"

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Earning food, one act at a time

Posted on 17 November 2011 by Rajendra Thakurathi

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Last Friday night, 21 Loras students faced a lockdown in Hoffmann Hall. Stuck inside, they were divided into four teams, assigned classrooms and restricted from going out of the building. All night long, they fidgeted and banged their heads, scrambling for ideas. They had too many things in their minds- writing, rehearsing, and performing original, short one-act plays, all within 24 hours.

The 24-hour-theater project brought by the Guild of St. Genesius Theatre Honor Society was a fundraiser for Dubuque’s St. Stephen’s Food Pantry. The audience voted for their favorite one-acts for Audience Choice Award by donating money that went to the food pantry. This was the first time the Guild did this kind of project.

Each team in the project was given a setting, line, character, and a prop. The challenge appeared to fixate on the idea while fighting the sandman at night.

“We didn’t come up with idea for a long time last night and so we started watching a soccer match online,” said sophomore Sajjan KC, a member of Stargaze Dramatists during a rehearsal on Saturday afternoon. It was his first time taking part in a play at Loras.

“Let’s not worry about the semantics,” he smiled, uttering his lines from the one-act.

Dressed up as Steven Spielberg, junior Stephen Brandt said, “I always wanted to take part in a play, but never got a chance because of time constraints. This is a great opportunity.”

KC and Brandt’s team came up with ‘E! True Hollywood Story: The Making of E.T.’

“We just wanted to have fun. This is not about winning, but about showing we can do this. We also want to provide fun to the audience,” KC added.

Meanwhile, in the other classrooms, teams comprising Loras Players, who had had experiences of doing a number of shows were hell-bent on making last minute changes to their scripts and rehearsing.

“There is an adrenaline rush in my head right now with only sporadic naps and bursts of laughter all night long. But we all know that as soon as this is done, we’ll all crash,” remarked senior Whitney Arnold from the team The Three Little Women and a Man. Their story ‘The Calamity at Feudalin’s’ had to incorporate the line ‘I’m not even sure what calamity means.’

“Theater background has certainly helped in this 24-hour project,” said first-year Anna Spoden, also a part of the team. “We had so much fun doing this and we’re enjoying every bit of this,” she added.

While the teams showed a concoction of frustration and delectation in their rehearsals, the show host Steven Dobihal said, “I’m excited to see how everything turns out.”

The teams had the freedom to use internet, phones, or laptops for their scripts. Memorizing the script wasn’t required and costumes and additional props were provided.

Loras Players director and a judge of the show Doug Donald said, “I’m amazed that everyone’s been getting along. Tonight is going to show all their hard and sleepless work.”

…And the awards go to:
Most Creative Use of Prop = Edutopia “The Bear Truth”
Most Creative Use of Character = Three Little Women and a Man “The Calamity at Feudalin’s”
Most Creative Use of Line = Stargaze Dramatists “E! True Hollywood Story:  The Making of E.T.”
Most Creative Use of Location = TGS “The Modern Woman”
People’s Choice Award = Stargaze Dramatists
Critic’s Choice Award = Edutopia

After the show, host Dobihal said, “I am absolutely surprised and amazed by the quality of all four plays. They were very well written in my opinion. I am impressed by the acting ability of both theater veterans and those who had never done anything like this before.”

The Guild of Saint Genesius has the “Magic of Christmas” lined up next for Saturday, Dec. 3. The show entails tales of the season with a recreation of a “live” radio broadcast from the 1940s. It includes many classic Christmas stories such as “A Christmas Carol,” “The Night before Christmas,” and “The Twelve Days of Christmas.”

The show is a fundraiser for the Guild.

 

 

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Tales by Twain

Posted on 02 November 2011 by K.T. Heidorn

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Though Twain died on April 21, 1910, he surely came to life in St. Joseph’s Auditorium this Halloween weekend for the Loras Players production of “Tales by Twain.” For those who don’t know, Mark Twain was a 19th century author made popular, or in some cases unpopular, for the satirical social commentary he wove into his works. Famous for writing “The Adventures of Huckleberry Finn,” this Missouri native wrote short stories based off of his experiences as an adult, as well as his time growing up on the Mississippi River in Hannibal, Missouri.

Doug Donald as Mark Twain

The weekend of Oct. 28-30, the Loras Players presented “Tales by Twain,” which was created and arranged by Doug Donald, professor of communication and fine arts and the director of Loras Players, and Alfred H. Srnka. The play is based off of multiple works by Mark Twain including “Punch, Brothers, Punch,” “Running for Governor,” and “The War Prayer.” Alongside the story-telling is also popular music from 19th century America such as “Billy Boy” and “Oh, Susanna.”

Mark Twain, as played by Doug Donald, sits in his study smoking a cigar as he casually narrates the play with a Missourian accent. It’s almost as if the audience has been welcomed into the Twain house to share stories with a few drinks and a cigar to accompany them. Throughout the play, Twain also interacts with the characters of his multiple stories of fiction and of his life.

The play does a wonderful job of portraying the person that Twain was. It allowed the audience a glimpse of his true character as a man who, in a good way, didn’t take life too seriously and as  a man with deep critical thoughts concerning the hypocrisy of society.

“Tales by Twain” covers many themes and critiques of life and society, leaving the audience shouting with laughter at one moment and somber and reflective at others. The theme that Twain portrays in the “The War Prayer” scene struck me the most. Here, Twain points out that when we selfishly pray for ourselves, we forget about the harm that may come upon our neighbors or even our enemies. Heck, if a play can be both entertaining as well as insightful, it’s in good business.

The players in “Tales by Twain” are talented actors and actresses who have strong singing voices, great comedic timing, and fancy foot-work. The musical accompaniment was never more than three instruments and the scenery, as well, was simple yet functional. In their 101st season, it’s no shock that the Loras Players, directed by Lenore E. Howard and Doug Donald, once again put on a great show.

The only complaint is that it was presented for only one weekend. Perhaps Twain had to return to the grave.

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‘Nobody dies in Roulette’

Posted on 04 May 2011 by Lorian Staff

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By Amy Kirkpatrick

The year-long celebration of 100 years of Loras Players came to an official close this weekend with the performance of the two-person show, Roulette. Senior Jadrien Schmitt directed the dark comedy which followed a couple on the verge of divorce on a therapeutic yet supernaturalish road trip from Tucson to Vegas.

With just two people on stage and small audiences, the performances on Friday, Saturday and Sunday were intimate and thought-provoking experiences.

Senior Colleen Gannon said, “the show was a good break from homework and had a powerful message.” 

Sophomore Zachary Daly and junior Sarah Keely starred in the performance as the quarrelling couple who could not escape their fate of ending up together. While Keely spouted angry lines throughout the show, she was happy to experiment as an actor in a dramatic role.

“I got to explore a role that I’ve never really been cast in. As an actor I tend to get cast into more comedic roles, so this was a nice change of pace,” she said.

Keely also explained “the show is all about control and who has it.” Keely and Daly both had excellent control over their parts, thanks to their seasoned director Jadrien Schmitt.

Schmitt has participated, somehow, in every show at Loras since her freshman year and this has been the fourth show she’s directed.  She laughs while explaining that this is one of the lighter shows she’s directed, because it actually has funny parts; in her own words “nobody dies.” With more comedic parts than the others, she chose the show because she “liked the idea of it. It makes you think, yet has parts that also make you chuckle; it makes you think about who has control in your own life and is kind of about fate.”

Schmitt finds it ironic that as her last show at Loras, it revolves around the idea of fate and is circular as the show ends with a new beginning for the couple. As Schmitt prepares to leave Loras in a few weeks, she sees it as a new beginning. She plans to eventually pursue an MFA in directing, and is glad that the last 4 years have “come full circle.”

Similarly, the celebration of Loras Players has come to a satisfactory close. Schmitt reflects that, in addition to her senior year, “closing of the 100 years is kind of nerve-wrecking, but also really rewarding.  It’s all really exciting.”

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Accomplished actor gives back to his alma mater

Posted on 05 April 2011 by Clare Horst

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It’s not every day students get the chance to work with a professional actor, and some students pounced on the opportunity this past weekend.

Loras alum Bob Kaliban is an actor who has starred on Broadway, in numerous movies, and also in various radio and television commercials. As a part of the Loras Players 100th Anniversary celebration, Kaliban returned to Loras for a couple of days to share his talents. He provided a master-class acting workshop for some current Loras Players, and finished his visit with a public lecture and performance on Saturday night in the St. Joseph Auditorium in Hoffmann Hall.

Bob Kaliban, a 1955 Loras graduate, has appeared in a number of films including “Brighton Beach Memoirs,” “Lovers and Other Strangers” and “Something Short of Paradise.”

Kaliban is a 1955 Loras graduate. Upon graduation, he was awarded a scholarship to the Royal Academy of Dramatic Art in London, England. This was the start of a fruitful acting career for Kaliban. He has acted alongside Gwen Verdon and Richard Kiley on the Broadway tour of Redhead, and he has graced the New York stage in many shows.

Kaliban has also appeared in a number of films, including: “Brighton Beach Memoirs,” “Lovers and Other Strangers” and “Something Short of Paradise.” He has had television appearances in multiple shows, including “Law & Order” and “The Ed Sullivan Show.”

Kaliban has also been in many radio and TV commercials. He has mastered more than 25 dialects and many cartoon and character voice. He has provided voice-overs for M&M candies, Doublemint Gum, Burger King and countless others. His memorable on-camera spots were as the “cookieman” for Chips Ahoy and playing various other roles for Remco’s Little Old Toymaker, Atlas Tires and the Ty-D-Bol Man.

And he credits a lot of his success to his Loras experience. “Kaliban was a big advocate of Loras,” said senior Drew Chapman, who was at Saturday’s workshop. “He says his life has been very much fulfilled, and everything he has accomplished is a result of going to Loras.”

“It was cool to hear how a boy from a small town in Iowa went so far, and still he credited it all to his faith, family, and community—including Loras,” added senior Patience Chiles, who also took part in Kaliban’s master class. “It was good to see how much he cherished his Loras years and everything he learned here.”

The master class was a full day of learning for the Loras Players in attendance. The morning session consisted of an improvisational workshop. Junior Katie Gees explained, “Kaliban gave us a scenario to act out, and then he gave us feedback on the general ‘rules’ or guidelines to improve.”

“We worked on listening and reacting on the spot, without having previously prepared,” added Chiles.

The afternoon session was more focused on acting in commercials, and students worked on line delivery and character development. “We read from commercial scripts and he talked us through the basics of doing a commercial,” said Gees. “He gave us tips on auditioning and putting together acting resumes, and answered any questions we had for him about his work on Broadway or television.”

“It was obvious that Kaliban was very experienced, so it was great to learn from him,” added Chiles. “I think what I enjoyed most was his obvious interest in the students — in our talents and creativity. He was very positive and energetic, and he kept telling us how talented he thought we were.”

After a full day of sharing his secrets with the Loras Players, Kaliban took the stage for a public performance that evening. “I was impressed with his ability to engage the audience and maintain strong energy the whole time,” said Chiles. “Kaliban struck me as a very sincere, positive and gifted person. I’m very thankful that he shared both his time and wisdom with us.”

 

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A “mad” performance to take the stage

Posted on 23 March 2011 by Patience Chiles

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“This show will make you laugh, it will make you cry, and it will make you think.”

This is how senior Lindsey Harms described the Loras Players’ upcoming production of “The Madwoman of Chaillot.” Along with more than 20 other Loras students, Harms will be performing in the play, which premieres this Friday.

Doug Donald, Loras theater director and associate professor of communication arts, explained the premise of Madwoman, saying, “It mainly deals with some powerful men who think they’ve discovered oil under the city of Paris, and they decide that they need to destroy the city to get to the oil.” And, he added, “It deals with a madwoman and her friends, who decide to stop them.”

The storyline of the play incorporates an array of characters, from waitresses to madwomen. One character, the Ragpicker, is played by sophomore Bobby Bauch. He explained his character, saying, “He used to be a salesman…and then he saw how ugly the world is, and how corrupt everything is. So he gave it up, and now he walks around in his rags…just trying to find beauty in the world.” But Bauch’s isn’t the only character who is concerned with finding happiness. Senior Lindsey Harms, who plays the Madwoman of Chaillot, quoted one of the lines she enjoys most from the show—a line which happens to be her own: “How can you bear to live in a world where there is unhappiness?”

“I think [the show] ties into what’s going on in the world today, with what we’re willing to do to get more oil, and the power of corporations versus individuals and how a few committed people can change what happens,” explained Donald.

The serious themes that Madwoman presents are also accompanied by a healthy portion of comic relief. “It’s a very light-hearted yet meaningful play,” said senior Jadee Schmidt.

Along with a full cast and crew of Loras Players, this production of Madwoman also incorporates original musical compositions by senior Clare Horst. Donald explained, “Our philosophy is, when we have a student who’s interested in a particular area, we try to give them the opportunity to explore it. We want to give the student the opportunity to create.”

As a double-major in music and English literature, this will not be the first time Horst will have presented her talents to the public. But, she said, “This is the first time I have ever composed music for an entire show, so it’s been a big project for me, and I’ve definitely learned a lot!” She went on to say, “My dream is to compose music for movies or TV shows, and I’m looking at going to grad school for it in a couple of years. I’m very grateful to Doug [Donald] for giving me this opportunity because it has given me experience…and also provided me with some good portfolio material.”

The cast of Madwoman includes Loras Players of all ages—from first-years to seniors. And for some, like Schmidt, this will be the last Loras show in which they perform. Schmidt, who will be directing the semester’s final play, Roulette, has been involved in nearly every show since she began at Loras in the fall of 2007, dedicating much of her time and energy to the Loras Players. Schmidt said, “The big cast [in Madwoman], the members, the whole fun atmosphere of the play…it’s a nice one to end on.”

The Madwoman of Chaillot will be performed in St. Joseoh’s Auditorium in Hoffmann Hall at 7:30 p.m. on Mar. 25 and 26, and 2 p.m. on Mar. 27. General admission is $12, but all Loras affiliated individuals will get to see the show for free. And, as Bauch said, “It’s going to be a great show!”

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Loras Players Win $500 in Project Runway Design Contest

Posted on 14 February 2011 by Michelle Dutton

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The Loras Players team came out on top, winning $500 for the Best in Show category last Saturday at “Project Runway: Dubuque Style,”  hosted by Broadway and Hollywood costumer and Loras alum Barak Stribling (’81).
The day began with Stribling calling out, “Good morning, designers!” to the 47 eager participants seated in St. Joseph’s auditorium in Hoffmann Hall.

Stribling aimed to emulate fashion consultant Tim Gunn, who mentors contestants on the hit reality TV show “Project Runway” on which last Saturday’s event was based. The “designers” formed 11 teams representing George Washington Middle School, Mazzuchelli Catholic Middle School, Dubuque Senior High School, Rising Star Productions, Fly-By-Night Productions and the Loras Players. The day for the designers began at 8 a.m. and lasted until the end of the runway show at 9:30 p.m.

This event was sponsored by Duck Tape® and was partially inspired by the company’s Stuck at Prom® promotion that invited high school students to create prom outfits entirely out of duct tape and post pictures of themselves online, with the winner earning a cash prize. Cathy Goodman, professor of communications at Loras, decided that she would use that concept and reformat it so that she could have Barak Stribling come back and help commemorate the 100 Years of Loras Players. Goodman wanted something that would “involve the community” and wanted to feature Barak Stribling because he “made it” in the industry. She is a huge fan of the reality T.V. show “Project Runway” and loves the phrasing that Tim Gunn uses. Duck Tape® agreed to sponsor “Project Runway: Dubuque Style” and provided 312 rolls of colorful and zany Duck Tape® for the designers to use for their costumes. Besides the thrill of creative design and having fun, designers had the extra incentive of bringing a cash prize back to their school, community theatre organization or non-profit organization.

Before the frenzied costume creating began, Loras sophomore Charlene Becicka remarked that she was excited to “make other connections with other people who do theatre in the community.” She would later have a great opportunity to do this because the Loras Players team – which included Whitney Arnold, sophomore Steven Dobihal, Alex McCarthy, Courtney Rippoli, and Becicka – would be working in the same room as the team from Rising Star Productions. A student from Mazzuchelli said she wanted to do “something different instead of watching cartoons on a Saturday morning.” The more experienced team from Fly-By-Night productions stated that they joined the competition because they “love the creative process” and remarked that all of their members were directors and were very involved with their community theatre.

A hush came over the excited designers as Barak Stribling made his preliminary introductions, and then Cathy Goodman reviewed the point system that would be used during the judging that evening. Next a team member picked a character name from a sewing kit box. Each team would have to design the costume and present a back story for their character which they would present to the judges during the runway event.

A sixty-second shopping spree came next. Earlier, a person from each team had grabbed a pair of scissors out of a bag. This pair of scissors had a number on it that determined the order in which teams could go “shopping.” On the table and scattered on the stage were rolls of wallpaper, shredded paper strips, newspapers, rolls of paper, and stacks of hundreds of Duck Tape® rolls in little boxes. After some fifteen minutes of initial planning about what kind of materials they could use, each team stampeded on stage for one minute, frantically shoving items into a big plastic bag. Teams were told at the beginning that they could use up to 20 rolls of Duck Tape®. The colors were outrageous: Funky Flamingo, Camouflage, Atomic Yellow, Blue, Leopard Print, Blaze Orange, Brown, Island Lime, Purple, Chrome, Plaid, Tie-Dye, Teal, Zebra Print and Flames.

After the hectic “shopping,” designers were hit by a “curveball” typical of any reality T.V. competition. Their scissors that had decided the order also had some pieces of colored tape on them, and these patches of color represented a penalty or perk that a team received. For example, the Rising Star team was awarded a pair of scissors for each team member—a perk that gave them advantage over all the other teams who had to share one pair of scissors between them. That same team was also penalized, however, by another team’s perk—Rising Star was forced to display the Flames and Plaid Duck Tape® on their costume even thought it did not fit in with what they had in mind for their character. Other groups had Duck Tape® or other materials stolen from them by opposing teams. After all of these changes, some teams were left feeling frustrated, while others, such as the Loras Players team who was assigned an Extra-Terrestrial costume, seemed to be just as happy with this shift in the game.

Beth Jenn, a Loras ’09 alumna, said that she and the other members from the Rising Star team decided to participate to “get [our] name out there” and have some fun. Megan Schumacher, director at Rising Star Productions, said she thought it was “awesome to meet Barak because he costumed on Broadway…I can’t want to talk to him.” In regards to the Project Runway event itself, Schumacher said, “I love that [Loras] is doing it. We all want to be on the show. I watch it all the time.”

Armed with their supplies, teams sprinted to their designated rooms in Hoffmann, where they were often forced to share their space with one or two other teams. The pressure was on, and each team pulled out all the stops while competing for prize money for their school, community theatre or favorite non-profit organization. To make the proceedings fair, teams were set up to compete against groups with comparable skill levels – middle school vs. middle school, high school vs. high school, and community theatre groups vs. Loras Players. The two high school teams were actually both from Dubuque Senior and enjoyed taunting one another across the room. Middle school teams got into the spirit as well and fired up their imaginations while coming up with interesting stories and costume designs for their characters. One design was inspired by the school’s production of “Aladdin” – the “fairy tale villainess” was a “daughter of Jafar” and the students incorporated dark, sinister colors like red and black in their impressive Duck Tape® dress.

Another “curveball” that was thrown at the contestants was the challenge of including a small pile of random stuff—for example, two pillows and an ugly green sash, or a roll of bubble wrap and a seashell necklace—into each of their design. The items in the pile could be changed—i.e., the pillows could be torn apart and their insides used for stuffing—but they must be used. The display of these items had an effect on how the costumes were scored later.
During these proceedings, Gerri Goodman sat in the seats to support her daughter, Cathy, who had worked so hard planning and organizing this event. Goodman had helped out with the other events that have helped commemorate 100 Years of Loras Players, during Karen Morrow’s performance accompanying on the piano. Goodman has seen four children graduate from Loras and she is also proud of her husband, a Loras alum, who designed St. Joseph Auditorium’s light board, part of which is still used at Loras today.

A few teams came very prepared, with their own mannequin just like on“Project Runway.” Each had their own table to work with, and some sketched their designs on the boards in the room. One team received a wild card as their character assignment so they chose to design a costume for a woman in Phantom of the Opera. In another room, Loras Players shared their scissors to cut out individual scales for the skin of their alien costume. Their room was full of laughs as they pretended to be on the actual show, dramatically declaring “This was my dream!” and getting along well with their competition working alongside them. The Rising Star team struggled to figure out how to incorporate the Flame tape which clashed with their original color scheme. They triumphed in turning lemons into lemonade, however, when they were given a lot of purple and yellow tape. They were assigned a “show girl” character who they originally wanted to be called “Lola.” Considering the color of their Duck Tape®, however, they changed their character’s name to “Loras.”
As they worked away, hunger pains were staved off by the food provided by Cathy Goodman—an assortment of muffins, apples, water bottles, milk—and their own parents. Goodman remarked that the moms and dads of middle school and high school students were so supportive, and that about 20 parents helped out by nourishing the young designers.
The students from the acting group Troupe 69 work as costume supervisors at Dubuque Senior High School and are used to being “incredibly creative.” A few of their team members were going to move onto an All-State Competition in Forensics in Speech. When asked why they were participating at the event at Loras, they said, “We want to use our skills and expand on them.”

Doug Donald, professor of communication arts and director of the Loras Players, found himself torn between cheering on his wife who worked with Fly-By-Night Productions and supporting the Loras Players team. Afterwards, he said the event was “a long day but fun.” What will happen with all of those extra rolls of Duck Tape®? Most of them will stay with the Loras Players and possibly be used for set pieces or costumes in the future.
The three judges were Dubuque Senior High School’s director for thirty years, Fran Hederman; Barak Stribling’s mother, Loretta Stribling; and bridal consultant Briana Botsford, who was so intrigued by the Project Runway event that she came from Madison, WI to judge it. Other curious volunteers included two girls from Hempstead High School. Erika Davis said, “My grandma told me about it and I thought it was kind of exciting.” Caitlin Hughes thought the idea was “really cool” and she was “excited to see what you could make out of Duck Tape®.” The two girls laughingly reported that they had received some hostile looks from contestants who suspected them being spies from another team, which indicated how seriously some teams were taking the competition.
Like his T.V. persona Tim Gunn, Barak Stribling went around a few times to check in on the designers. He gave encouragement and tips to teams, pumping them up if they were feeling discouraged.
In between critiques, this reporter was able to interview Stribling about his feelings about the Project Runway event and his experiences in the costume industry. He was excited to come back to Loras to help out and recalled that even after he graduated, he helped make costumes for the Loras Players. He also watches every season of the show Project Runway, so he knew it would be a lot of fun to host it here. He spoke of his mother teaching him to sew costumes while he sat in front of the television as a boy growing up in Dubuque.
After graduating from Loras in 1981, he set off to New York City but found after a while that he didn’t like the Big Apple as much, and a few years later he got a place in Jersey City. Stribling initially wanted to go into design, but after a while he discovered that he preferred simply making the costumes. He said, “[Design] is not where I get my kicks. When you’re making clothes, however, you still use a designer’s eye.” For instance, Stribling remarked that some designers would tell him to create something with a “pastel blue feeling”—an absurdly unspecific instruction. In cases like that, he has to rely even more on his own creativity to come up with a costume. Now Stribling rents a large space and has 11 people working for him. In regard to the life he is living now, the Broadway and Hollywood costumer states that he “never planned it. Life is what happens when you are making other plans.” He has great passion for his work and says that he still finds it fun.
Stribling shared the differences between costuming for movies and Broadway shows and related his adventures in outfitting superstars and superheroes, making costumes for 22 out of 28 NFL mascots and creating about 200 Tony the Tigers for Kellog’s. Currently, Stribling is planning on making some more costumes for Katy Perry’s tour, as he’s already costumed some of her holiday concerts. When asked how he thought Project Runway—Dubuque Style was going so far, he said, “It’s going great. I’m really excited about all the vitality. It should be fun.”
Some contestants remarked that it was “easier than expected,” while others felt the stress of costumes not coming together correctly. Most teams worked well into the afternoon, towards 2 or 3 p.m., took a break, and then came back around 5 or 6 p.m. The team for the Loras Players worked til 4:40 p.m., took an hour break, and then returned at 6 p.m. to continue working on their alien costume. Finally, at 7:30, the main event was about to begin.
First, a film was shown that featured Stribling’s extensive costume work throughout the years. Doug then introduced Stribling and took the stage, opening up about his beginnings in Dubuque, his first job in a costume shop in N.Y.C., and the reasons for why he loved costuming. The audience laughed along as he related tales about the people he had worked with and gave listeners a glimpse into the behind-the-scenes of show biz. Stribling shared some tricks of the trade, like using hair extensions instead of gorilla fur on a costume. He then responded to audience questions on his life and his preferences. Stribling said his favorite show was “Chaplin” because it spanned such a long period of time, from 1917—1975, and he created the costumes for all of the women with speaking parts.
Finally, the climax of the design teams’ day arrived: the runway show. Each model paraded across the stage with the designers in tow and each team had two minutes, or “until the duck quacks” to explain their characters’ back story and their design. The audience oohed and ahhed the designs and occasionally burst into laughter at some of the more humorous designs and stories, such as the Fly-By-Nights’ vampire and the Extra-Terrestrial of the Loras Players. After all 11 teams finished and while the judges deliberated, the Loras Media team played their film of the interviews they did and shots they had taken during the day, giving the audience a glimpse of the designers’ experience.
After hours of preparation and hard work, the judges finally made their decision. In each group of teams competing, there were cash prizes awarded to first, second, and third place winners. In the end, the Loras Players won Best of Show and were given $500 towards the theatre department. When asked about her reaction, Loras Players model Charlene Becicka, a sophomore, said, “Oh my gosh, I was completely shocked!” Whitney Arnold, a designer for Loras Players, enjoyed getting to know other people but also being able to work on a project with her fellow Duhawks. “To make something in a day was awesome. I’ll probably never get to do that again,” she said.
Alex McCarthy of the Loras Players remarked to Doug Donald, “We need to make this an annual event.” Another designer from the Rising Star company agreed and said that she would love to come back another year. The sum of the cash prizes awarded to all teams totaled $900, all of which was made possible by grants from the city of Dubuque. Cathy Goodman was extremely satisfied with the event overall and was impressed with all of the participants, saying, “They definitely had a blast!”

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Players Working Hard

Posted on 03 November 2010 by Lorian Staff

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By Natalie Tuttle

This past weekend the stage in St. Joe’s Auditorium in Hoffmann Hall was once again graced with a production presented by the Loras Players.

This fall’s musical,  titled “Working,” was a compelling and thought-provoking theatrical journey. The plot features the life and times of everyday Americans as they go through their daily business regarding their professions.

Freshman Megan Horst readies up for the final performance of the musical "Working" on Sunday, October 31, 2010.

Clare Horst| My Duhawk

The story is thought-provoking in that the audience is granted an interesting look into the working world of people in at least a dozen different professions.  For example, many of us have probably never stopped and asked a prostitute what it is like to do her job; but that is just what this play did (very eloquently portrayed by sophomore Sarah Keely).

All of the monologues as well as the content of the songs were inspired by the words of real, everyday working Americans as transcribed by author Studs Terkel. Iron workers, telephone operators, grocery check-out workers, school teachers and many more — all of their stories were told; the challenges, the joys, the monotony and the excitement of working. This is how the show transports audience members into the shoes of someone else, so to speak.

I truly believe that Working is the kind of show that any American, regardless of political leanings, religious beliefs or socio-economic status could gain something from viewing. This story was one that truly inspires empathy for your fellow Americans, and it might just cause viewers to alter their perceptions of the people and places around them.

Although the story to Working had its many highlights, it was really not that interesting at times.  At the beginning of the show, I felt distinctly underwhelmed. What I mean is, the play did not jump out and grab my attention the way I would like a musical to do; that being said, I must concede this show would probably not be considered your “typical” musical.  However, fortunately for me and to the eternal credit of the Loras Players, I did not remain disengaged for long.

Despite a slow start, the Loras Players, overall, gave outstanding performances (as usual). The full-cast numbers such as “Something to Point To” and “If I Could’ve Been” were executed so gloriously that they left the audience in awe and gave me goose bumps.  Although it would be hard to pick one stand-out performer (as there were so many amazing performances), credit must be paid to all the solo singers who did such amazing jobs. Here I would like to make special note of two of our senior Duhawks: Kristi Olberding (as Maggie, the cleaning lady) and Patience Chiles (as Kate Rushton, the housewife) whose solo performances were beautifully performed, heart-wrenchingly compelling and brought a tear to the eyes of several audience members.

When all’s said and done, even though Working itself may be a little slow-paced for the taste of some theater goers, our Loras Players delivered fantastic musical performance. If you are looking to catch the next big Player’s event they will be presenting “Way Off Broadway on Loras-9” Nov. 19-21 at St. Joseph Auditorium in Hoffmann Hall.

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Loras Players welcome back alumni

Posted on 29 September 2010 by Patience Chiles

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100 years involves a lot of history – and for the Loras Players, it includes a lot of fun, dedication, hard work and memories as well.

The Loras Players continued their 100 years celebration in St. Joseph’s Auditorium on Saturday with the Loras Players’ Alumni Cabaret Night. The evening included performances by Loras Players from decades past, as well as plenty of commentary on the life and times of the Players throughout the years and the presentation of a documentary about the Loras Players (created by ‘09 alums Erin Horst and Kevin Grady). The alums who attended dated as far back as those belonging to the graduating classes of 1950’s and ‘60’s, and attendance stretched through to alums who graduated within the past decade.

Much of the evening was filled with musical numbers from such shows as “My Fair Lady,” “Cabaret” and “Forever Plaid.” One alumnus even performed a monologue from “Hamlet.” Also included in the evening were speeches about the four most recent directors of the Loras Players, one of which is current director Doug Donald. The two directors who preceded Donald were Don and Lauretta Stribling, a husband and wife who co-directed the Loras Players for 29 years. The Striblings attended the cabaret, along with several of the alumni who acted under their direction during their Loras College years. Before the Striblings was Fr. Schroeder, who directed the Loras Players for 30 years before handing his position over to the Striblings. Four of Fr. Schroeder’s past students performed in the cabaret. Throughout the evening, each of the four directors received a tribute from their past students, composed of both funny stories and serious comments about how these directors influenced their lives.

The audience’s reaction to the cabaret proved their appreciation and enjoyment of the experience. And the performers enjoyed it as well. Current Loras Player Amy Kirkpatrick (’11) said of the event, “I enjoyed watching all the alumni perform together. They all talked about the sense of community that they found in the Loras Players, and you could witness this communal attitude in their performances and speeches. It was cool to see them reconnect with the Loras Players family, and to know that I’m a part of that tradition.” Alumni also had something to say. Erin Horst (’09) said, “I thought it was a fantastic evening. It was so great to be back in that theatre where I have some of my favorite memories of being at Loras College.” She went on to say, “Any Loras Player will tell you that the best part about being in the group is the people you meet along the way. We’re all just like a big family, and it was so cool to see that some things never change.”

The Loras Players’ Alumni Cabaret Night closed with a performance of the opening number from the upcoming musical “Working,” performed by current Loras Players. Afterward, all of the past and present Players who attended gathered onstage for a group photo – over 50 years of Loras Players sharing the same stage.

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Broadway star graces Loras’ stage

Posted on 14 September 2010 by Clare Horst

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Several Loras College students had the chance to audition for a Broadway star this past weekend.

Loras Players alum and award winning actress Karen Morrow visited Loras College last Saturday to teach a musical theatre master class and performance. Several Loras College students had the chance to participate in the master class, as well as three Dubuque high school students.

Students participating in the master class each prepared a couple musical theatre selections to perform for Morrow during the workshop. Morrow offered advice and comments for the students to work on to make their performances even better. The master class was treated like a musical theatre audition, so students could understand what it is like in a professional audition.

“This last Saturday was a great opportunity for our students in that they got to work with a very talented and successful Broadway actress” said Doug Donald, Loras Players theatre director, “At the end of the Master Class the students were energized and enthusiastic about theatre, music, and themselves. It was, for everyone, a fantastic experience.”

After the workshop and auditions were completed, Morrow chose three students from the day to perform with her in a concert that evening. The students who were chosen included: seniors Kristi Olberding and Drew Chapman, and sophomore Sarah Keely.

“The master class was an awesome experience to be involved in” said senior Kristi Olberding, “I was fortunate to be able to perform with her. She has a lot of successful experience on the stage and it was a pleasure to be able to sing with such an accomplished person. Her passion and enthusiasm was contagious.”

Senior Drew Chapman commented, “Working with a past member of the Loras Players who has achieved so much was an amazing experience. Ms. Marrow provided us with many great resources that she has learned from her experiences in professional theatre since her time as a Loras Player.”

“Working with Karen Morrow was a fantastic opportunity to really look into the world of acting, and it really solidified that it’s what I want to do with my life” said sophomore Sarah Keely. “She was a blast to work with and really helped me to look at what I’m doing when I’m performing on a deeper level.”

Morrow is an award winning actress who has starred on Broadway in multiple productions, including the Tony Award Winning Mystery of Edwin Drood. She has also been in many off-Broadway shows, including starring roles in Sing Muse and The Boys from Syracuse. Morrow appeared for five seasons with the New York City Center during its golden years of musical revivals, and was in the national tour for Showboat.

Morrow has also been seen on television, in shows including a starring role in The Jim Nabors Hour as well as appearances in Friends, Tabitha, Sabrina, The Tonight Show, The Today Show, Too Close for Comfort, Murder She Wrote, and many others. She has appeared and performed at the Tony Awards, and has received an Emmy, a Los Angeles Drama Critics Award, a Theater World Award, an Ovation nomination and five Dramalouge Awards.

Morrow is currently on the faculty at the American Musical and Dramatic Academy, and she conducts a bi-monthly master class in performance and audition skills.

Morrow’s visit to Loras was the first of many Loras Players events this year planned to commemorate the 100th anniversary of the Players. Make sure to watch for upcoming events this season!

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Auditions for ‘Working’ Worked

Posted on 08 September 2010 by Patience Chiles

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“I was actually surprised at how I was just immediately brought back. It was like no time had passed at all…the people were just all different.” According to Loras alumnus David Summers (’08), this is how it felt to step back into the Loras limelight last Tuesday after a four year break.

Auditions for the Loras Players’ upcoming musical “Working” were held on Tuesday, Aug. 31 and Wednesday, Sept. 1 in St Joseph’s Auditorium. This year marks the 100th Anniversary of the Loras Players, and “Working” is the first of many Loras shows and events planned to commemorate the occasion. In celebration of the anniversary, Loras Players alumni were invited to audition. Summers was one of two alumni who auditioned, alongside several new and returning Loras students. Doug Donald, Director of Theatre at Loras, stated that he was “very pleased” with the auditions.

According to Donald, the script was adapted from a book by Studs Terkel titled, “Working: People Talk About What They Do All Day and How They Feel About What They Do.” Donald said, “It’s about how we, in so many ways, are defined by our job; and it’s about what we do in order to make that job acceptable to us…It’s about the joys and frustrations of how we earn our living. It deals with a major part of our lives.” Donald later stated that he considers “Working” to be “a really good show” for students, “because it’s what you [the students] are going to be doing.” Accordingly, Summers believes that alumni will positively contribute to the show because “the fact that alumni have moved on into the work field gives them a perspective that students, caught in the hustle and bustle of college life, don’t yet have.”

“The 100th anniversary is so special…it’s a once-in-a-lifetime experience,” said Donald. He explained that alumni involvement allows students and alumni to “share experiences.” “I think especially this year, as we’re celebrating 100 years of Loras Players, we bring a history that connects a current generation of players to the past,” said Summers.

“Working” will show Oct. 29 and 30 at 7:30 p.m. and Oct. 31 at 2 p.m. The cast includes two Loras alumni—including Summers—along with a number of Loras students. And, as always, all Loras affiliated individuals will get to see the show for free.

Upcoming plays this year

Oct. 29 to Oct. 31 : Working

Nov. 19 to Nov. 21 : Way Off Broadway On Loras 9

Dec. 4: “L.O.R.A.S. Radio: A Joyous Christmas”

Mar. 25 to Mar. 27: The Madwoman of Chaillot

Apr. 29 to May 1: Roulette

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